11/7/2023 0 Comments Review gigi parisThis combination of personal experience and cultural sensibility led Guerrero to "God of Death," her contribution to V/H/S/85. "Heck, we celebrate Day of the Dead! 'You come on over, ghosts! We've got enough things on the outside to worry about.'" ![]() "We’re not afraid to talk about it," Guerrero laughed. In most of Latin America, you wake up almost at war every day." But such real-life horror is not something to shy away from. "We have so much folklore to talk about, and we do live through a very tough third-world situation. "I always think about my background, my family, my upbringing from Mexico City," Guerrero reflected. But for V/H/S/85, Guerrero embraced the legends and fables as a way of confronting her own past and commemorating the tragedy through her brand of horror storytelling. Science has one answer: Mexico rests at the edges of three fault lines, and is vulnerable to regular temblors as a consequence. "What is causing it? That has been a question since I was born." "Living in Mexico City, there's so much superstition about why we have an earthquake every year at the same time," Guerrero said. September is earthquake month all across Mexico, but the country's capital has experienced other major earthquakes in the last 40 years, notably in 20, both on Sept. Guerrero grew up in Mexico City, and though she was born years after the earthquake struck, its aftermath was nonetheless part of her daily existence - as were the accompanying local superstitions about the cause for recurring quakes. "Raynor told me, 'Wasn’t there an earthquake then? Why don't you do an earthquake film?'" "It was a no-brainer," Guerrero said via a Zoom interview. But Guerrero landed on her concept right away: a short set smack in the middle of the 1985 Mexico City earthquake. Under most circumstances, that gives a filmmaker precious little time to drum up a plot, find locations, and cobble together a cast and crew. V/H/S/85’s producers rang Guerrero after three of the movie's five segments were already complete. Guerrero found inspiration for her V/H/S/85 short in an infamous earthquake. ![]() In an interview with Mashable, Guerrero dug into these dark inspirations for her homespun horror. Whatever the scary story, the unifying theme of Guerrero's filmography is clear: Neglect your heritage or disrespect your culture, and it'll come back to bite you on the ass. In her V/H/S/85 segment, a historic disaster awakens an ancient evil. ![]() In Guerrero's contribution to Satanic Hispanics, a horror anthology directed by an all-Latine team, one character's trespasses against nature provoke supernatural wrath. Now, she's hitting Halloween season full force with superbly spooky entries in not one but two horror anthologies: "Nahuales" in Satanic Hispanics and "God of Death" in V/H/S/85. Guerrero made her feature-length directorial debut with Bingo Hell in 2021, which is part of Blumhouse Productions' Welcome to the Blumhouse film series. Since making her directorial debut with the short film " Dead Crossing" in 2011, the Vancouver-based, Mexico-born horror actress/filmmaker has been busy writing and directing segments for film anthologies like México Bárbaro and ABCs of Death 2.5, episodes of the TV shows Into the Dark and The Purge, as well as the web series La Quinceañera. Gigi Saul Guerrero is making her mark on horror one stab at a time.
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